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I had the chance to interview the fantastic novelist, Steph Post, recently. (That’s her with the bow-and-arrow above.) She posts some terrific content online from Florida. I was first introduced to her work, A Tree Born Crooked, on Goodreads. And from that book till now, I’ve been hooked. Or, arrowed. However you want to say it…her writing is top-notch! I’ll leave the clichés alone.

So she took precious time to answer some questions and then she went back to writing more amazing fiction.

Here’s the conversation:

Steph, if you weren’t writing, what would you be doing with all of your free time?

Taking care of more chickens, more dogs, making my art. Though, honestly, I can’t imagine not writing. It’s so ingrained in me, so much a part of my life now. But in-between books, when I’m working on promotion or beginning research, I have a lot more time for my animals and my garden, and my guilty pleasures like playing video games.

Persephone, the chicken
Hatchet, the cattledog
one of Steph’s print series

Have you ever given up on a writing project?

Not entirely, but I have put projects on hold, which I’ve circled back around to. I started the novel I’m currently working on a few years ago, but I had to drop it at the time. I just wasn’t ready, or even capable, of writing it then. I sort of felt like a failure for stopping work on it, but now that I’m back at it, I can see that I absolutely had to take that break, to ensure that the work went in the right direction.

Definitely. So…In your eyes, what does it mean to be a “successful” writer?

To be constantly working on a book. Of course I want the books to be well-received. I want to be engaged with the literary community and always stay true to myself as an authentic voice. But success measured by outsiders may not always be a constant. For me, it’s always been about the work, the actual act of building a book. As long as I can keep doing that, I consider myself successful.

Do you have a set routine as a writer? Things that work for you?

I go through cycles, depending on what stage of a novel I’m working on. But when I’m really in the groove, I write 9-noon, every day. The hours lengthen at the drafts progress, though. I’m also one of those writers who can only write from home, at my desk, in my studio. I so admire authors who can write anywhere—in hotels, on buses, while traveling—but I’m certainly not one of them.

Your new novel, Miraculum, has garnered some big reviews…Are there any symbols running throughout your novel we should look for? Do readers recognize them?

There are so many symbols running throughout Miraculum and it’s been awesome to see readers catching on to them. In particular, I love to use animals and animal symbolism in my writing. The obvious ones in Miraculum are the fox and the snake, for Daniel and Ruby, as the trickster and the embodiment of regeneration. I love it, though, when readers find symbols, themes or motifs that I didn’t see myself in my own work. It’s always fascinating to see what connections are being unearthed.

Steph, thank you for taking the time to chat. Keep up the great work!

If you’d like to learn more about her work, check out her site at: